Inhaling theory, exhaling art: From Antonin Artaud’s word to Marina Abramović’s action | CHRISTINA GRAMMATIKOPOULOU

NB: This important section:

‘Derrida interprets Artaud’s theory as a proposal for a repetition without reference, a kind of performance that refers to itself and not to reality, the same way that life doesn’t represent anything else but itself; this kind of performance evokes a higher level of consciousness.’

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